A House Divided by Kyle Dargan

A House Divided – Kyle Dargan

On a railroad car in your America,

I made the acquaintance of a man

who sang a life-song with these lyrics:

“Do whatever you can/ to avoid

becoming a roofing man.”

I think maybe you’d deem his tenor

elitist, or you’d hear him as falling

off working-class key. He sang

not from his heart but his pulsing

imagination, where every roof is

sloped like a spire and Sequoia tall.

Who would wish for themselves, another,

such a treacherous climb? In your America,

a clay-colored colt stomps, its hooves

cursing the barn’s chronic lean.

In your America, blood pulses

within the fields, slow-poaching a mill saw’s

buried flesh. In my America, my father

awakens again thankful that my face

is not the face returning his glare

from above eleven o’clock news

murder headlines. In his imagination,

the odds are just as convincing

that I would be posted on a corner

pushing powder instead of poems—

no reflection of him as a father nor me

as a son. We were merely born

in a city where the rues beyond our doors

were the streets that shanghaied souls. I

To you, my America appears

distant, if even real at all. While you are

barely visible to me. Yet we continue

stealing glances at each other

from across the tattered hallways

of this overgrown house we call

a nation—every minute

a new wall erected, a bedroom added

beneath its leaking canopy of dreams.

We hear the dripping, we feel drafts

wrap cold fingers about our necks,

but neither you or I trust each other

to hold the ladder or to ascend.

Kyle Dargan’s poem “A House Divided” offers a unique look into the fractured identity of a country, inspired by a train ride Dargan took from Washington to Atlanta. The title of the poem itself is inspired by a famous quote by Abraham Lincoln that says “A house divided against itself cannot stand.” It sets the stage for the shared yet disconnected lives of those living in the same nation. Kyle Dargan utilizes tactile imagery, a fractured structure, and observative language to explore the various angles from which individuality and group negligence have begun to give way to the widening foundations of a country. The poem is difficult for the reader and seeks to make the reader face their accountability for the problems of divide through calls for individual contemplation leading to hopes of unity.

The speaker in “A House Divided” observes and participates in the turmoil of the nation, embodying a voice of critical self-reflection. The tone shifts between a resolute acceptance of the fractured nation and a subtle yearning for reconciliation. This duality in the time is found in lines such as, “I tell myself this is not my house,” / though it is, though it is,” where the repetition showcases the conflict  within the speaker about the land and country they know and how it looks so different through someone else’s eyes yet it’s still the same. The speaker is full of reflection as they ponder the weight of shared accountability and emotional cost of being a resident in a divided society. Calling the reader directly at certain times, such as, “You feel the tremor, don’t you?” The speaker thus implicates themselves but also tugs the audience into the conversation, forcing them to consider their own part in this country and how they play a part in our unity or more important our division.

Not only does the speaker play a major role in this poem but the title holds significant meaning as well. The title, “A House Divided,” carries significant weight as it directly references Abraham Lincoln’s warning about the perils of a nation split by opposing ideologies. This allusion anchors the poem from the very beginning politically and historically, into a frame of tension, reminding the reader that division has been a long-standing skeleton in the cupboard. The title finds a metaphorical determination in its inherent irony suggesting that one shared but shattered space can harbor so many divided and divided citizens. The word “house” evokes a sense of domesticity and unity, while “divided” juxtaposes that ideal with the stark reality of fragmentation. This duality mirrors the poem’s exploration of the tension between belonging and alienation, unity and disunity. The simplicity of the title is a poignant display of its depth; a nation in disarray with all hope in their holding onto the notion of good recovery for the “house.”

One of the lines that sticks out to me in the poem is “The body is a house divided / by the weight of its own name.” This line itself helps you interpret the main theme of the poem, which addresses the internal conflict between identity and society’s imposed labels. The body, a symbol of ourselves and our soul, is fractured under the strain of societal expectations and personal history. The notion of being “divided” suggests a struggle, where the individual must navigate the tension between internal desires and external judgments. Dargan’s use of “the weight of its own name” points to just how heavy identity feels words given to us or taken upon us cause inherently detrimental habits or gross alterations in how we perceive ourselves and how others see us. The phrase relates to the central theme of the poem, which is a meditation on belonging, on the struggles for unity between the people assumed to belong and a world assumed to belong with them.

Theories About the Universe By: Blythe Baird

I am trying to see things in perspective.
My dog wants a bite of my peanut butter
chocolate chip bagel. I know she cannot
have this, because chocolate makes dogs
very sick. My dog does not understand this.
She pouts and wraps herself around my leg
like a scarf and purrs and tries to convince me
to give her just a tiny bit. When I do not give in,
she eventually gives up and lays in the corner,
under the piano, drooping and sad. I hope the
universe has my best interest in mind like I have
my dogs. When I want something with my whole
being, and the universe withholds it from me,
I hope the universe thinks to herself: “Silly girl.
She thinks this is what she wants, but she
does not understand how it will hurt.”

Blythe Baird’s Theories About the Universe is one of those poems that lingers with you long after you’ve read it, like the echo of a meaningful conversation. The title by itself is captivating—broad at scope, yet personal, as if inviting the readers to think of not only the great expanse of existence but even into intimate spaces of our tiny yet significant place in it. To me, this poem refers to meditation on love, loss, and the deep need of making sense of the chaotic world we live in.

The poem begins with Baird’s ability to weave vulnerability and wit into an unflinchingly honest narrative. Simple as her words may be, they carry a depth of meaning on how human relationships mold our understanding of life and self. What she catches more efficiently for me is that delicately poised state of connection and disconnection. She seems to say, “this is what it means to care deeply while holding enough of yourself back to survive.”

One of the lines that really struck me was, “I hope that the universe will turn out to be something good.” It’s such an innocently hopeful phrase, yet it speaks volumes in silent fears. This line makes me think of how we all try to reconcile disappointment and anxiety with the precious hopes for beauty and meaning. It speaks to that part of us wanting the assurance that, even when an uproar is taking place, with things falling apart, something still worthwhile exists in the wreckage.

Baird’s poem also explores the idea of control, or rather the lack of it. She seems to be wrestling with those dictated parts of life, like a broken heart or uncertainty, and does not attempt to shy away from it. Instead, Baird leans right in, regarding it as a normal thing of life. This reminds me of the idea that the universe is indifferent—neither inherently good nor bad-and it is up to us to find or create the goodness within it.

The metaphor of the universe, like that ship in The Ship I Built, comes very close to home. A ship can be built and steered, whereas the universe is much more difficult to manage. It’s vast, knowledgeable, and absolutely uncontrollable. By juxtaposing these two ideas, Baird challenges us to consider what we can control versus what we must simply accept.

Something else that stands out to me is the theme of resilience. The poem suggests that no matter what theories we construct—whether about the universe, love, or life itself—we must keep going because the universe doesn’t stop just because we don’t feel good. life. Baird does not give us neat, ready solutions or conclusions; but therein lies her authenticity. Life is messy; our theories won’t always hold up; that doesn’t leave us out of further efforts in trying to make sense of it all.

For me, Theories About the Universe is this sort of reminder to be okay with the contradictions in life. It is okay to feel minor in the face of a scope as large as the universe and yet still claim to be in its midst. It is okay to feel heartbreak and hope at the same time. It is okay to say, “I don’t know,” while still continuing to seek the answer.

And what I love about Baird’s work is its ability to occupy space both in vulnerability and in strength. She doesn’t tell us what to feel or what to think but rather gives us a lens through which we may view our own experiences. This poem makes me feel as if I’m sitting with a friend who doesn’t try to solve your troubles but simply reminds you that you’re not alone.

The Ship I Built – Blythe Baird

“I am trying to sleep

on the front porch

of forgiveness

I am too young to be

this lonely

I didn’t leave

the door of my love

unlocked

so you could

mistake my sadness

for a shelf

still, do not mistake

how open I am

for emptiness

I do not have room

to carry anyone’s chaos

but mine

if I sink, it will be

in my own ocean

if I float, it will

be on the ship

I built myself”

Blythe Baird’s poem “The Ship I Built” struck a deep chord with me the moment I came across it. Its title caught my eye and made me feel alone—not as something forced but rather as a planned and empowering decision. The poem seems to me to be about resilience and self-sufficiency, as though Baird is saying, “I’ve built my own world, and I’ll navigate it on my terms.” It speaks to me as a mantra of freedom, a message of “No, I can do it myself,” which directly relates to my own life experiences.

One of the most powerful lines in the poem is, “If I sink, it will be in my own ocean,” and it encapsulates the core of what I find so inspiring about Baird’s writing. This line symbolizes a complete ownership of one’s destiny, challenges, and failures. This is a strong statement of independence, suggesting that even if life doesn’t go as expected, the consequences are hers and hers only. Baird seems to communicate that she’s not afraid to sink as long as she’s the captain of her own ship. I really relate to and find great strength in this protest against the idea of having to be “saved”.

I’ve always had a strong sense of individuality, growing up with the belief that I needed to rely on myself more than others. This mindset has shaped my personality and approach to life, much like the tone Baird sets in her poem. Many times, the world tells us that we need someone else to lean on or that there is something wrong with depending just on ourselves. But Baird’s poem presents a counter-narrative, one that inspires women and girls to welcome their capacity to create their own “ships” and boldly negotiate their life.

Another important note-worthy mention is the metaphor of the ship. Ships can represent exploration and journey but also isolation. Building your own ship is more than just getting you from one place to another; it shows off your strength, skill, and ideas.This metaphor that Baird uses makes it sound like she’s navigating her own life, and everything that happens is because of the choices she makes, no matter how smooth her sailing is or how rough the water is. 

This idea of self-reliance can be particularly empowering for women. Baird’s poem is a statement that being independent is not only okay, but also a good thing. This is important because society often sends mixed messages about independence, sometimes encouraging it and sometimes subtly discouraging it. For women and girls especially, this kind of message is important.Many times, we are taught that it’s good to help others or ask for help. But, being able to trust your own abilities is more valuable.

In life, there are times when you need to rely on others, and that’s perfectly fine. But there are also times when you must learn to stand on your own, to build your own vessel and trust that you can steer it in the right direction. It might be challenging to strike this delicate balance between freedom and self-reliance, but Baird’s poetry inspires us to rise to the occasion.

What I love most about “The Ship I Built” is how it speaks to the importance of self-determination. It celebrates the idea that we are responsible for our own lives and destinies. The message that I take from Baird’s poem is this: even if we encounter storms along the way, it’s worth building our own ships. It’s worth sinking, if that’s what it comes to, because in the end, at least we’re the ones in control of our journey. The poem emphasizes that strength comes from within, and that it is perfectly acceptable to choose being alone, navigating your own ocean, and being proud of the ship you have built.

Blythe Baird

Blythe Baird is 28 years old and is already one of the most recognizable and acclaimed names in spoken word poetry.

Originally from the northwest suburbs of Chicago, the viral writer has garnered international recognition for her stunning performance pieces that speak urgently and honestly about sexual assault, mental illness, eating disorder recovery, sexuality, and healing from trauma.

Her work has been featured by Glamour, ELLE, TEDxMinneapolis, The National Eating Disorder Association, Mic, The Huffington Post, Everyday Feminism, Medium, The Mighty, The Body Is Not an Apology, Write Bloody, Button Poetry, A-Plus, and many more.

Baird graduated from Hamline University in 2018 with a dual degree in creative writing and women’s studies. In 2020, she became the recipient of the prestigious McKnight Artist Fellowship for Spoken Word administered by The Loft Literary Center in Minnesota.